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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク The Street Enters the House ： ウィキペディア英語版 The Street Enters the House ''The Street Enters the House'' (''La Strada Entra Nella Casa'') is an oil on canvas painting by Italian artist Umberto Boccioni. Painted in the Futurist style, the work centres on a woman on a balcony in front of a busy street, with the sounds of the activity below portrayed as a riot of shapes and colours. The first public display of the painting was in Paris, in 1912, as part of the first Futurist exhibition. It is now housed in the Sprengel Museum in Hanover, Germany. ==Background== Boccioni was one of the founding members of the Futurist movement.〔Clough, Rosa Trillo; ''Futurism: The Story of a Modern Art Movement'', Greenwood Press (1961). pp. 22-23. ISBN 0-8371-2166-3〕 Until 1910, the group concentrated primarily on capturing "emotion and multiple states of mind" using techniques derived from Neoimpressionism style (for example, Severini's ''The Black Cat'' or ''The Obsessive Dancer'').〔Clough, pp. 68-70.〕 After hearing second-hand reports of the innovations of Picasso and Braque, Boccioni and his compatriots adapted their technique to match, incorporating angular lines and intersecting planes as a way of capturing multiple viewpoints in a two-dimensional image.〔Glueck, Grace; "(On a Trip Back to Futurism, Women and Settings Merge )", ''The New York Times'', 3 July 1998. Retrieved 12 October 2010.〕 While this was going on, there was a corresponding shift in ''what'' the group was attempting to capture as well. They began to focus more heavily on the physical and the external rather than the emotional and internal.〔Rye, Jane; ''Futurism'', Studio Vista (1972). pp. 46-48. ISBN 0-289-70105-8〕 In 1910, Boccioni began a series of works based on modern urbanism. The first, ''The City Rises'', described the construction of a new city and the sights and sounds of men and horses at work. He described it as a "great synthesis of labour, light, and movement."〔Lista, Giovanni; ''Futurism'', Terrail (2001). p. 50. ISBN 2-87939-234-9〕 His later works, such as ''The Forces of the Street'', ''The Street Enters the House'', ''Simultaneity of Vision'', and ''Street-pavers'' and ''A Study of a Woman Among Buildings ''were elaborations on the same theme.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The Street Enters the House」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.